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You Are Here by David Nicholls was recommended to me by someone I trust - but it was still a tough sell because the only other book I've read by this author was One Day, which I hated!
Still, I gave it a go and ended up being glad I did, especially since the audiobook narrators were excellent and definitely enhanced the dual perspective narrative.
It's about Marnie and Michael, who are both recovering from bad relationships and meet on a walking holiday, suggested by a mutual friend, who intends to set them both up but with different people. The chapters alternate their POVs, as they end up the only two left walking by day three.
I liked both protagonists, though there were some very painful, awkward, cringey moments (particularly in Marnie's chapters) early on that made me question my dedication to reading more from David Nicholls.
However, Marnie is a freelance copy editor and all the bits about her job (which I share) were absolutely hilarious and also spot on, which definitely add to the reading experience for me. The bits about Michael's teaching job were also both amusing and relatable (I used to be a teacher too).
And I also liked the slow burn of the relationship (it felt slow, even though most of the book took place over only seven days) and how the narrative gradually revealed more about the characters to both the reader and to each other.
Given the perceived 'slow burn' nature of the main narrative, the resolution felt a bit abrupt, but also satisfying overall.
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This is my fourth Netgalley ARC and it was another winner!
Through All Our Heavens by Olivia Hawker is a split narrative novel. One thread follows Helen Bywater throughout the American Civil War in the 1860s, as she struggles to keep her Southern estate running while also doing whatever she can to help the Northern cause. The other thread is set in 2053, after the US has split apart and is in the throes of another civil war. Derryn, an art historian is called behind the Blockade to study a cache of paintings that's been discovered - which seem to date back to the 1860s but depict scenes from the 2050s.
But it didn't proceed how I was expecting at all. The ways in which the two storylines connect are more thematic than actual, with both women taking parallel journeys within the turbulence of their respective times.
The themes themselves are explored and stated rather bluntly, with the author perhaps overexplaining her point throughout and both storylines felt a bit dragged out in the second half - but the writing is beautiful, both historical and futuristic settings are vivid and immersive (though the potential prescience of the events leading up to Derryn's not-too-distant world is chilling), I connected with and got invested in both protagonists, and the ending felt satisfying and deeply resonant.
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Son of Sin by Omar Sakr is a queer Muslim coming-of-age story, following Jamal, who is raised in an abusive household, constantly terrified of all the sins his family warns him about committing. It tracks his late adolescence and early adulthood, as he travels to various parts of the world, seeking a family connection and a potential relationship with several other young men.

It's beautifully written, though the poetic prose is interspersed with quite a lot of swearing, explicit sexual content and crudeness, which is a bit odd. It's also relentlessly depressing, with Jamal continually facing rejection, violence, and homophobia. It did keep me reading, but I didn't hold out much hope for any kind of positive ending. The final image of the book will definitely stay with me - and not in a good way.


The One by John Marrs is a near-future thriller about a world where scientists have discovered a gene that connects each person to their perfect romantic match. It's split into five completely separate narratives, following different people's lives as they are affected in various ways by being matched. It's entertaining and pulled me along effectively - but it was also pretty disappointing in terms of lack of diversity amongst the protagonists (all under 40, attractive, able-bodied, white, and ostensibly straight). There was also some repetition of plot points across more than one story, and the directions each thread took were less interesting than some of the reported instances of matches gone wrong that are mentioned along the way. So, it was a fun enough listen, but didn't make as much of the premise as it could have done.
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I heard about The Book of Elsewhere when it came out and was intrigued because it's by China Mieville, one of my favourite authors, and Keanu Reeves, one of my favourite actors. But I also heard it was terrible - and I think I tried listening to the audiobook and only got a few pages in before giving up.
But my brother gave it to me for Christmas and I decided to give it another chance!
The first 30 pages or so were almost unreadable and largely incomprehensible (though each new short section was somehow terrible in a different way, which was pretty impressive). But then, around pg 35, the first female character was introduced, along with a long scene of perfectly credible dialogue and reasonably readable prose - and I was hooked. Some of the writing was still a bit tortured in places, but either that disappeared over time, or I just got used to it - because the rest of the book was awesome!
It's possible the forces in the book invaded my brain and influenced me (in the same way they do with some of the characters), and I'll later come to my senses and decide the book was terrible after all - but just after finishing it, it's definitely my first five-star read of 2026!
It's about a man who comes back every time he dies, and the various people who either want to study him or kill him outright, as well as his own struggles with the nature of his existence. It's very violent and gory (which is not usually something I like but which didn't bother me here - more evidence of paranormal activity, I feel...) but also has a lot of depth and layers. There were multiple characters I got invested in and attached to - and the sections charting bits of Unute's history over the centuries were varied and interesting in showing his impact on the world.
It did unravel a bit towards the end, when it got rather over-complicated and a bit silly in some ways - but I was very much along for the ride by that point and just went with it.
So, a very surprising about-turn for a book I wasn't sure I'd be able to get through! But I can't think of anyone I'd be able to genuinely recommend it to...
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The Man I Think I Know by Mike Gayle was my mum's choice for family book club.

It's about James, who is struggling to assert his independence three years on from a traumatic brain injury, and Danny, who is struggling to make anything of his life fifteen years on from a family tragedy.

I really didn't like it at first, because I disliked both the protagonists intensely, and there was a particular aspect of James' narrative that I found incredibly annoying. But, about 90 minutes in, something happened that grabbed my interest, and a few minutes later, they both did things that engaged my emotions more positively towards them.

And, after that, I really enjoyed it! I'm used to this kind of dual narrative being used in romance novels, so it was interesting to see it done for a platonic friendship, and I think it worked well. I wasn't wholly on board with how things turned out, but only in the actual romantic subplots - the rest of it was great, and went to some places I wasn't expecting.
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I'd heard a lot about Blood Over Bright Haven by ML Wang before I started reading it, which will definitely have impacted on my response to it. And I unfortunately largely agree with those who found fault with their experience of reading it.
The opening pages are exquisitely written but incredibly horrifying - but then it settles down into the main narrative and it did feel like everything was being overexplained and hammered home a bit too hard.
I really wasn't keen on Sciona as a protagonist and the initial hints of romance felt quite forced.
There are a lot of good ideas here but the story didn't really engage my emotions and I wasn't invested enough in it to finish the book.
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Before I Forget by Melissa Hill tells the story of Abby, who suffers a brain injury that affects her ability to retain new memories. She decides to try and fight it by creating the most exciting and meaningful memories she can, though things are complicated by her meeting a man she really wants to remember.
This was a quick and easy read, and mostly enjoyable - though I wasn't keen on the focus on money, beauty standards and designer labels as ways to create good memories. I did like all the peripheral characters, and the way in which the romantic relationship developed - though the 'third act break-up' section was a bit annoying. There were some inconsistencies on how the repercussions of Abby's injury were explained to her and how they actually manifested, and I can't say I was wholly satisfied by the ending - but overall, this was a decent read.


A World of Wisdom by James Chapman gives a plethora of sayings from around the world to demonstrate how different cultures and countries approach common concepts in different ways. It's a lot of fun and has some great illustrations to go with the sayings. It's interesting to see what the differences are in familiar phrases, based on resources, geography and societal attitudes.
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The Animals in That Country by Laura Jean McKay tells the story of Jean, who works in a wildlife park and has a special relationship with the dingoes, which is developed much further when a plague leaves people able to interpret the body language and noises of animals as speech.

Jean ends up going on a road trip with Sue the dingo and sees first-hand the implications and consequences of this increased connection between humans and animals. And it's not pretty.

This book is not an easy read - but it's definitely a worthwhile one. I particularly like the fact that what the animals say is weird, alien and largely very creepy. The books is fairly unpleasant in places, but it's both impactful and compelling - I read it in two days and stayed up way too late reading on both of them!

In terms of its arc, it really reminded me of Flowers For Algernon. It didn't hit as hard, but I thought it was really good overall.
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The Other Moctezuma Girls by Sofia Robleda tells the story of Isabel, an Aztec princess in the 1550s, who goes on a quest after her mother's death, to find journals that relate the true and previously hidden story of her mother's life. I liked Isabel a lot as a narrator, particularly her very honest reactions to things, as a rebellious young woman in a very patriarchal society. Her interactions with her siblings felt quite modern, but then I guess teenagers have always been teenagers! The reportage style of Nantzin's journals made those sections a lot less dynamic than the main narrative - but they were, at least, a lot more credible as diary-style narratives than you find in most stories. The puzzle hunt was really exciting, I thought the romance was well done and impactful, and I enjoyed the highs and lows of Isabel's changing relationships with her brothers and sisters. The book was a bit grim in places, but that was in keeping with the nature of the story and certainly made the stakes feel very real. The historical setting was rich in detail and seemed well researched - and I thought the very end of the story had a really satisfying punch to it. Very enjoyable overall!
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The Little Vampire by Angela Sommer-Bodenburg is the first in a long series of kids' books about a young boy called Tony, who befriends a vampire.
I hadn't come across them before - but there are over 20 in the series, published throughout the 80s and 90s, and re-released in updated versions only a couple of years ago.
I wasn't a big fan, though, I'm afraid - I didn't like Tony and felt his reactions to things were very odd in places. There's also the usual problem with vampire stories involving young protagonists - while Rudolph and Anna (the vampire siblings) present as children, they are actually over 100 years old, which makes their friendship with Tony a bit unsettling.
I also found the story itself rather torturous and awkward - but then it's not aimed at me!
I have had a lot of success with middle grade stories recently - but not this one.
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I've been a bit hit or miss with Nnedi Okorafor books in the past, but I thought Death of the Author sounded really interesting so I decided to give it a try. But it didn't grab me at all and I nearly gave up on it quite early on.

It follows Zelu, a disabled woman of Nigerian descent, who writes a sci-fi novel that becomes incredibly popular, giving her sudden fame and wealth.

It's not badly written in any way - but the blurb gave me expectations about the story that weren't fulfilled, and then the story itself gave me other expectations that also weren't fulfilled, which made the whole experience rather disappointing.

I really wasn't that keen on Zelu as a character, and I found the extracts from the book within the book really boring. I was invested enough by the halfway point to see it through and the last ten minutes of the audiobook were quite clever. It also had some well0portrayed themes about disability and privilege that raised some interesting questions. But it really didn't do much for me overall.

On Beauty

Jan. 6th, 2026 06:15 am
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I read On Beauty by Zadie Smith a few years ago and remember thinking it was amazing.
And on rereading it across the end of 2025, into 2026, I can still appreciate the skill, the intricacy and the impact of the writing.
I didn't know before that it's loosely based on Howard's End, so that was a fun thing to look for on the reread - but I just wasn't in the right frame of mind to stick with it this time around.
I think the time of year was an issue, since my reading was interrupted a lot with festivities and travel - so it was definitely me and not the book.
Wrong moment to revisit this, unfortunately.
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The Wicked + The Divine by Kieron Gillen and Jamie McKelvie is a graphic novel series where twelve gods are reincarnated every ninety years, enjoy two years of fame and then die. It's complicated and gory and confusing and clever. During the space of each of the nine volumes, I went through the same rollercoaster of reactions - intrigued, baffled, not sure if I'd continue, perhaps just about getting it, shocked by the next unexpected twist, reaching for the next one...
There was an awful lot of bait and switch, and I definitely didn't understand it all by the end, but I thought where it eventually ended up was pretty awesome.
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Pack the Essentials is a tile tesselating game, where you have a player mat with a grid that is a suitacase and you bid for different shaped pieces to fit into it. You can gain tokens that allow you to flip the pieces over to reveal cats for extra points. There are also other point-scoring conditions that change with each game. It's a fun version of this type of game (which I generally love) and I enjoyed it but it's not the best I've found in this genre (eg I preferred Zen Garden, which I played the day before).
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Here we have the accumulated stats for all the reviews I wrote in 2024:

Books (133):
Positive – 89 (67%)
Negative – 18 (14%)
DNF - 26 (19%)

Audiobooks (49):
Positive – 43 (88%)
Negative – 1 (2%)
DNF - 5 (10%)

Comic books/series (10):
Positive – 10 (100%)
Negative – 0 (0%)
DNF - 0 (0%)

Film & TV (7):
Positive – 6 (86%)
Negative – 1 (14%)

Live Entertainment (7):
Positive – 6 (86%)
Negative – 1 (14%)

Games (video and board) (25):
Positive – 22 (88%)
Negative – 3 (12%)

Reviews total for 2025 (231):
Positive – 176 (76%)
Negative – 55 (24%)

I'm counting the DNFs as negative for the overall stats.

So, if you include each comic series as just one book, I read over 160 books last year, which is ridiculous! I didn't have much work overall in 2025 and I also started a BookTube channel and discovered reading challenges, so that probably accounts for it.

My positive rating overall has gone down a bit from last year - but I think that's because I've been reading, viewing and playing more diversely and trying to expand my horizons a bit, which is always going to be a risk, but I think is a good thing overall.

I'm going to *try* and be a bit more relaxed about my reading in 2026, but I can't imagine that will actually stop me from putting pressure on myself about it!
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At our usual New Year gaming get-together yesterday, I played Zen Garden, which is exactly the kind of game I really love. You collect tiles to build a garden on your player mat, matching background surface, path type and feature in various combinations to try and obtain the most points. There's a decision point around where the tiles are in the available gallery (they cost differing amounts of money to obtain, depending on position, but they get cheaper if they are left to the next round) and there are too many scoring variables to be able to achieve everything.

It was really fun - I always love pattern matching to maximise point scoring. I didn't do fantastically well, but I really enjoyed it and would definitely like to play it again.
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I was apprehensive about Trio by William Boyd as I've had mixed success with his books in the past - but this one was absolutely a winner!
It follows three characters involved in a film being made in Brighton in 1968 - the director's wife, one of the producers, and the female star.
It's very internal and very literary, very sharply observed and very involving.
One of the characters is a writer and I related very strongly to her experience of wanting to/trying to write (though definitely not other aspects of her life).
I found it compelling right the way through and an excellent read overall.


Everything Is Tuberculosis by John Green is very well written, very readable - and rather manipulative, but I guess that's fair, since he's trying to make you, as the reader, care as much about his topic as he does. But certain aspects of the story of Henry, the TB-sufferer he met in Sierra Leone in 2019 (who sparked his interest in the disease) were presented in rather a disingenuous way. Still, the whole book was interesting, it taught me a lot of things I didn't know, and I think the message is an important one.
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The Notebook by Roland Allen has been on my shelf for a long time - and I finally got around to giving it a try. I love stationery and was very interested in the concept - but I don't think I was really in the right frame of mind for quite dense nonfiction this week, unfortunately. Certain aspects of it were very interesting, but it was a bit dry and more about historical detail than human interest for me, so I didn't finish it.


Heaven and Earth by Nora Roberts is the second in her Three Sisters Island trilogy - this time following deputy sheriff Ripley Todd in her journey to connect back to her magic and also find lasting love. It was - fine. I know what to expect from these books now, and I have to admit I'm getting a bit tired of them, as they are all very similar. The romance in this one was less problematic than the others I've read recently, which was a nice change and I liked how the supernatural threat built on what had happened in the first book, but it wasn't wildly compelling - and all the spell poems felt a bit twee. I'm less invested in finishing this series now - but I probably will at some point, just to round it off.
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The Marble Collector by Cecelia Ahern was one I was looking forward to reading as it looked like one of her heartwarming, contemporary tales of quiet family drama - and it probably was!
But I really disliked the female protagonist (she's introduced in a chapter where one of her charges at a nursing home has a heart attack and her only reaction is disappointment that she didn't get to pull the emergency cord...) and I found the scenes about her father's childhood dreary and distressing.
So, while I expect the way everything eventually came together was probably very sweet and (hopefully) involved some growth for the daughter, I found myself not invested enough to stick it out to find out.


The Forgotten Tower by Lulu Taylor is one of a specific type of book I've read a lot in recent years - split timeline, charting a family history in the past with events that have some kind of impact on a young woman's personal development in the present. Taylor does have a sometimes overly unpleasant focus on domestic violence and abuse of women, which did feature here, but didn't tip over the line into detracting from the story for me this time.
I wasn't overly keen on some of Georgie's attitudes and responses to situations early on, but her growth over the course of the book was satisfying, and I appreciated the way her background informed her actions and was eventually overcome.
Some aspects of the historical narrative were a bit over-the-top, and the ultimate explanation of some things seemed a bit tacked on at the end. But overall, it was a well-structured and absorbing read.
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Over the weekend, I played two games that were new to me:

Castle Combo:
In this game, you purchase cards from a display in the middle and add them to your three by three grid. Each card has an immediate effect (usually providing you with money or keys) and an end-game effect (usually amassing points according to specific criteria). As with a lot of games, it's all about balancing obtaining resources during the game and racking up points for the end of the game. Most of the points relate to where the cards are positioned in your grid, so there's some careful planning involved. It's exactly the kind of game I like, with lots of criteria to fulfil across the course of the game, and I really enjoyed it.

Phantom Ink:
In this game, there are two teams, each of which have a 'ghost' giving them clues to identify a specific word. The teams have cards with questions on them, which they can give their ghost to answer, and the ghost then writes the answer one letter at a time, until the team tells them to stop. The questions gradually build up on both sides, until one team guesses the correct word. It's a bit different to other games like this that I've played, because both teams are trying to guess the same word, which adds layers to the strategy.
I usually prefer to be the clue-giver rather than guessing in these types of games, but I actually really enjoyed both in this one.


I also finished my second Netgalley ARC - Loon Point by Carrie Classon:
In this book, we follow Norry, who runs a holiday resort in rural Minnesota; Lizzie, an 8-year-old whose mother is struggling with drug addiction; and Wendell, an elderly man who thinks his life is terrible.
Over the course of the book, they all come together in various ways, and build connections with each other over the period of a year. All three perspectives are extremely well written, with distinctive narrative voices that match their age and lifestage. I wasn't all that keen on Wendell to begin with, but he had the best arc of all of them by the end.
It's a much quieter story than I was expecting, but I really enjoyed it. It's a bit repetitive in places, but that fits with the nature of the story being told and it didn't bother me that much.
I do like a female protagonist in her mid-40s, and Norry's attitudes and responses to things felt authentic.
I liked the romance aspect a lot, but was glad it didn't overpower the other parts of the story.
There were some logistical issues that weren't quite thought through (particularly in relation to hospital bills) but that didn't really detract from the emotional impact of the book, which was very good.
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