The Doll Factory
Feb. 2nd, 2024 09:53 amThe Doll Factory by Elizabeth Macneal is set in 1850, when the Great Exhibition opened at the newly built Crystal Palace. It's the story of Iris, a young woman who works in a shop, painting the faces of china dolls. She meets artist Louis and accepts his offer of becoming his model, in return for lessons in painting. Unbeknownst to her, though, she has also caught the attention of taxidermist Silas, whose growing obsession with her builds to a thrilling climax.
I found this book very immersive - the research is obviously robust and Macneal portrays Victorian London in tremendous detail. One of the best things about the book is the stark contrast drawn between the circumstances of urchin Albie and his prostitute sister, compared with the life of idle luxury led by the artists.
However, the most impressive aspect of the story is the way the character of Silas develops over the course of the book. He's never presented as sympathetic, precisely - there are always unsettling and unpleasant things about him, but I did feel a bit sorry for him to begin with. And that's where the genius of the writing lies. The way his thoughts and feelings are portrayed show a wholly understandable and chillingly inevitable progression towards what happens at the end of the book, also gradually revealing more about his background in a way that brings everything together in horrifying but believable detail.
I really wasn't sure what kind of ending the book would have, right up until the last few pages - but the final conclusion was hard-won and satisfying - and the epilogue section brought together all the different strands beautifully in an interesting and effective way.
There's a lot about the story that's pretty grim and rather unpleasant - but that's a necessary part of how it's all put together.
A great read all round!
I found this book very immersive - the research is obviously robust and Macneal portrays Victorian London in tremendous detail. One of the best things about the book is the stark contrast drawn between the circumstances of urchin Albie and his prostitute sister, compared with the life of idle luxury led by the artists.
However, the most impressive aspect of the story is the way the character of Silas develops over the course of the book. He's never presented as sympathetic, precisely - there are always unsettling and unpleasant things about him, but I did feel a bit sorry for him to begin with. And that's where the genius of the writing lies. The way his thoughts and feelings are portrayed show a wholly understandable and chillingly inevitable progression towards what happens at the end of the book, also gradually revealing more about his background in a way that brings everything together in horrifying but believable detail.
I really wasn't sure what kind of ending the book would have, right up until the last few pages - but the final conclusion was hard-won and satisfying - and the epilogue section brought together all the different strands beautifully in an interesting and effective way.
There's a lot about the story that's pretty grim and rather unpleasant - but that's a necessary part of how it's all put together.
A great read all round!